Andrey Mironov at Home: French Perfume, Catalog Ties, and Mini-Theatrical Performances in the Kitchen

He couldn't stand silence, didn’t tolerate monotony, and couldn’t live halfway. Even at home, Andrey Mironov remained an artist. We tell you what he was like off stage — in his favorite apartment, among friends, books and scents.

Life as a Stage: At Home — Like in the Theater

Andrey Mironov didn’t just act on stage — he lived it. Even at home. Peace and silence oppressed him. He improvised in any situation: staged mini-theatrical performances during lunch, turned everyday tasks into shows, and played pranks on friends and family.

These weren’t attempts to impress — this was his way of being. He was a person of action and energy, for whom communication was almost an art form. In Mironov’s home, there was a constant atmosphere of movement: something was discussed, people were met, others were entertained, someone was called on the phone. He couldn’t stand confinement or solitude — even in the bathroom he would talk on the phone to stay connected with the world.

Phone in the Bathroom, Company at the Kitchen Table

Mironov’s home was a living space — a place for meetings, conversations, and the exchange of ideas. He didn’t isolate himself or “rest in silence,” on the contrary — he drew energy from people. Guests were almost every evening. He knew how to create an atmosphere where everyone wanted to stay a little longer.

At the kitchen table — conversations until late at night, in the living room — records, jokes, and discussions about plays. In these walls, everyday life became theatrical but without pretense — it was warm, vivid, truly alive.

Ties, Style, and Flawless Taste

Andrey Mironov wasn’t just well-dressed — he was the kind of person who created his own style. He picked ties and shirts with an artist’s precision: color, texture, mood. Often ordered clothes from foreign catalogs, knew how a garment should fit, and followed fashion — not because he wanted to be liked, but because he was an aesthetic to the core.

Even at home, he didn’t allow sloppiness. He had no bathrobes with drooping sleeves. He believed that appearance was respect for oneself and those around him.

Perfumery as a Way to Express Yourself

A separate passion of Mironov’s — French perfumery. He knew brands, followed new releases, selected scents by season, time of day, and his own mood. He regarded perfume as a detail of an outfit, like the continuation of a line.

Another trait of his character — he often gave perfumes as gifts to friends. To men — with a precise fit to their style. To women — always with a hint of flirtation. He wasn’t just giving a gift; he was creating for the person a new image, scent, and story.

A Home Filled with Energy

Mironov’s apartment was not a museum exhibit, but every item in it had its place. Antique details, chairs with history, books, posters, records, a full-length mirror. In that mirror he rehearsed, searched for the right intonation, corrected gestures. Even at home, he continued to be an actor — in the best sense of the word.

His space was warm, alive, slightly baroque — like a theatrical set where everything had meaning.

He Didn’t Act in Life — He Lived It

Mironov couldn’t be gray. He didn’t hide behind a “modest lifestyle.” He was bright, attentive, funny, touching. He filled the space around him with energy but didn’t burn out.

And even when everything crumbled — the stage, health, love — he didn’t lose that inner music that energized both friends and audiences.

He didn’t just live — he created life around himself. Real, flavorful, a little theatrical — but always alive.

Cover: kp.ru