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Peninsula House / Wood Marsh / Australia
Sculptural Coastal Retreat
Rising gradually from the rugged coastal ridge of Flinders, Peninsula House by Wood Marsh Architecture presents a bold sculptural refuge that blurs the boundary between architecture and landscape. Defined by its monolithic walls of compressed earth, the house looks like a geological formation—carved by wind, light and time, strengthening in place with a sense of solidity and calm.
The dwelling serves as both sanctuary and stage for panoramic coastal views. Its curved walls guide movement, protect from the wind and open secretly to the horizon, creating a continuous flow of space between interior rooms and nature.
Photo © Timothy Kay
Photo © Timothy KayConcept and Spatial Organization
The architectural concept is based on flow and enclosure. One curved wall encircles the plan, safeguarding zones of leisure, sleep and gathering in one continuous motion. The wall rises to form a majestic vault above the main living space, creating an atmosphere that is both intimate and monumental.
The layout develops around a central green atrium, which acts as a light well and visual anchor. From here, corridors branch into three wings — living and dining areas, private bedrooms and guest room — each oriented to capture light, views and shelter.
Large openings on the north side connect directly with a covered terrace, extending outdoor life and framing expansive coastal vistas.
Photo © Timothy Kay
Photo © Timothy Kay
Photo © Timothy KayMaterial Palette and Interior Expression
Peninsula House is founded on natural materiality and precise craftsmanship.
The walls of compressed earth form the structural and aesthetic backbone of the house, their rich ochre tones reflecting the soil of the Mornington Peninsula. The material provides excellent thermal mass and a stable textural depth that changes under light.
Externally, fired timber complements the earth tones, helping the building blend into the landscape. Inside a limited palette of wood, terrazzo and brass reinforces the sense of continuity and warmth. The smooth curvature of ceilings and black accents give spaces a cinematic quality, balancing ruggedness with sophistication.
Photo © Timothy Kay
Photo © Timothy Kay
Photo © Timothy KayLight, Shadow and Spatial Drama
Light is considered a material — shaping and sculpting space throughout the day. The house is oriented to frame the constantly changing sky of coastal regions. A continuous light well along the ridge filters soft daylight inside, animating textured walls and highlighting their tactile depth.
At dusk the compressed earth glows with warm tones, while deep shadows reveal the curve of structure, transforming the house into a luminous sculpture within the landscape.
Photo © Timothy Kay
Photo © Timothy Kay
Photo © Timothy KayEcological Response and Efficiency
Though visually striking, the house deeply responds to coastal climate. Heavy earth walls provide thermal insulation and acoustic stability, while low profile and deep overhangs protect from strong winds and direct sunlight. Passive ventilation and minimal glazing on the south side further reduce energy consumption.
Building upon mass, orientation and shading, Peninsula House achieves comfort naturally, combining ecological efficiency with architectural poetry.
Photo © Timothy Kay
Photo © Timothy Kay
Photo © Timothy KayMonument of Quiet Strength
Peninsula House / Wood Marsh / Australia embodies the practice's mastery in sculptural minimalism and sensitivity to place. Every curve, surface and opening is thoughtfully designed — created for resonance with the surrounding land and sea.
This is not just a house looking out at coastal terrain; it grows from it. Through restrained appearance and monumental calm, Wood Marsh has created a timeless refuge — one that celebrates silence, honesty of materials and enduring dialogue between nature and design.
Photo © Timothy Kay
Photo © Timothy Kay
Photo © Timothy Kay
Photo © Timothy Kay
Photo © Timothy Kay
Photo © Timothy Kay
Photo © Timothy Kay
Photo © Timothy Kay
Photo © Timothy Kay
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